Thursday 24 April 2008

Stasis

Stasis   
Artist: Stasis

   Genre(s): 
Dance
   



Discography:


Past Movements CD2 - Unreleased   
 Past Movements CD2 - Unreleased

   Year: 2003   
Tracks: 10


Past Movements CD1 - Rare Classics   
 Past Movements CD1 - Rare Classics

   Year: 2003   
Tracks: 10




One of the original British translators of Detroit's machine music, Steve Pickton's recordings as Phenomyna, Stasis and Paul W. Teebrooke rugged similar ground to production compatriots like Black Dog, B12 and Kirk Degiorgio's As One, though his legal (and discography) later expanded to include a range of influences, from drum'n'bass and rare-groove to experimental techno and trip-hop. Pickton debuted in the early '90s on the diminutive Time Is Right label ahead cathartic an EP for B12 Records as Stasis. He made the connection through B12 to Kirk Degiorgio's A.R.T. Records, and released the label's number one full-length as Phenomyna, Unexplained. Pickton recruited Black Dog, Redcell, As One, Nuron and his have Stasis project to remix tracks from the album for a treble EP, Explained, Vols. 12.


During 1994-95, Pickton began incorporating the diverse sounds of British electronica with his number one Stasis full-length, 1994's Breathing in. For a volume in the trip-hop label Mo' Wax's Excursions series, he issued a Stasis unmarried which filtered a heavier malarky divine guidance through the bounds of empyrean Detroit techno. In 1995, Pickton formed his possess Otherworld Records (with Teebrooke and Phenomyna releases) and recorded deuce projects with Mark Broom: as Kape Ill Miester for Pure Plastic and A13, and as Nine Machine for the American observational label Plug Research. Pickton branced out with remixes for Repeat, Patrick Pulsinger's IO and Clatterbox. By 1996, he had released his second Stasis LP, From the Old to the New. The following class brought his most diverse recordings until now, on the Paul W. Teebrooke LP Connections. [Look Also: Paul W. Teebrooke]